Reviews Dublin, Ireland 3Arena November 7, 2022 |
Review by Davie Furey
This was more like a theatre performance than a gig. The carefully constructed
setlist was delivered delicately yet powerfully by Dylan & his band. Songs from
Dylans' past, like I'll Be Your Baby Tonight and When I Paint My Masterpiece were
reconstructed to fit into the ambience of the show so cleverly that the set
meandered along like a story that Dylan really wanted to tell.
There were some sound issues at the start, particularly with Doug's acoustic
guitar, crackling a little. I Contain Multitudes was exquisite and real highlight for
me. I felt a sense of sadness throughout this song, thinking about all the years
that I have listened to Dylan and the gigs of his that I have attended with
various amounts of friends and relations, thinking about will this be the last time
to be in the same room as these songs whilst they are being delivered by their
writer? Then again, I said that before…
I'll Be Your Baby Tonight was fun and Dylan seemed to have fun delivering it,
with a nice jam with the band for good measure. Key West was absolutely
gorgeous. Incredible lyrics. Without doubt this was the best Dylan show I've
been at where I could hear every word Dylan was singing. His voice was really
powerful, as good as I've ever heard it. His piano playing was a bit wayward at
times, like during I've Made Up My Mind To Give Myself To You but the best
moments of the show for me was when Charley dropped his hands, the guitars
went quite and it was just Dylan with a sprinkling of piano speaking his truth.
I never heard him like this before. Kinda sums him up really. When he gets it
right, which is 90% of the time, there is no-one that can come close to his
genius.
One little footnote… before a stunning Every Grain Of Sand, Bob gave a shout
out to Shane McGowan while adding that Fairytale of New York really hits home,
he plays it every Christmas and that he hopes McGowan makes a new record
soon. Sadly, that is unlikely but then again stranger things have happened like
Bob Dylan returning to this island in the not too distant future.
Davie Furey
Review by Liam Carson
'Mother of Muses wherever you are, I’ve already outlived my life by
far', sang Bob Dylan last night. At which point, many cheered. At the end
of a stunning performance, we all applauded as if we would never have the
chance to applaud the man again. He turned the 3Arena into an intimate
room, where he sang the praises of Elvis Presley and Martin Luther King.
He sang of being in the Black Horse Tavern on Armageddon Street. He sang
of a world gone wrong, but also of a gospel of <>love. He sang of rivers,
prairies and plains. He sang often of the dawn, of crossing the Rubicon.
He gave us his old time religion of blues and poetry. He was in fine
voice, he sang his heart out for us. His band were stellar, not least
drummer Charley Drayton, rattling chains of beads over drums and cymbals,
and his stunning jazz pulse on 'Key West'. Dylan gave us a fun-filled
hoedown Chicago blues version of 'I'll be your baby tonight'. He gave a
shout out to Shane McGowan in the audience. We live in very dark times, I
think, and what Dylan did last night was to give us a bit of redemption,
of truth and beauty in his songs and in his voice. Nobody who was there
will forget it. Every now and again, he'd come out from behind his piano,
just to soak up the praise from the audience. And we could see how frail
he is now, but yet he keeps going, and his presence seems larger than
ever, even as his body seems to shrink. On the stage was a man who'd made
up his mind to give himself wholly to us... A lot of people gone, a lot of
people I knew I’ve made up my mind to give myself to you He played
harmonica, just once, at the end of the last song, 'Every Grain of Sand'.
As he breathed the first notes, a wave of love and awe went through the
audience. Whoops of delight, people shouting 'we love you, Bob'. And, by
God, we do.
Liam Carson
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