Review by Keith Rowe
This is my 1st review of a show after having attended about 15 over the
last 7-8 years, all of which have been in California, the 1st 12 in SoCal
& the last 3 in NoCal (Davis, Stockton, & Arco last eve). I thought the
venue itself was OK (I can see why the Sac Kings want a new arena), yet
the acoustics I'd rate well to very good to my surprise. As I've become
accustomed, the crowd seemed to be pretty oblivious (at least around me)
when he threw us nuggets like "Just Like" or "Hollis" and were mostly
clueless on "Tangled" to my surprise as well, but like us all, I'm there
for my enjoyment, not others. Reminds me of my days of seeing the Dead
when many would cheer mightily for "Touch of Grey" yet wonder what all the
fuss was about when they'd grace us with an "Attics of My Life." Also,
Bob's instrument was much more audible than the last 2 times I've seen
him, which was nice.
Onto the show: Maggies was great as I thought the band extended it a bit
more than usual & seemed on track as this was show 4 out 5 nights. I am
always happy w/ Just like & wasn't disappointed as vocally Bob did great &
pulled out the harp for the 1st time. A slightly reworked High Water
followed which was OK in my opinion as the banjo wasn't nearly high enough
in the mix, which was disappointing as it really makes the song. When the
Deal was superb as Bob & the band really do this song justice. The 1st
Tweedle Dee of the tour made me realize we would get a few surprises by
the end of the show. Tangled was OK, although I yearn for the late 90s
versions which were uptempo from start to finish. Another nice harp solo
by Bob. Sure enough, a Wonderful To Ramona verified my suspicions were
correct that Bob had a few tricks in store. I absolutely love this song as
it seems timeless & this version, especially vocally, was great. It's alright
was OK, however, I'm not too fond of the recent rearrangement Bob has ]
come up with. I'm also not convinced on the usage of the fiddle (an
instrument I absolutely love...see Railroad Earth!) as I don't feel it is
necessary....nonetheless, I never mind hearing the lyrics to It's alright.
Suffice to say, Rollin works well live, almost a warm up for the Highway 61
that appeared a few songs later. Then Bob continued to be extremely
kind & showered us w/ Hollis Brown, a song that I love (as well as use in
my teachings as a 7th & 8th grade Honors English teacher in Folsom, CA
in our reading comprehension endeavors). He nailed Hollis & while I sensed
the audience was mostly clueless regarding song awareness, really
appreciated the song and its performance. Highway was satisfactory as
it was neither off the charts or failing in any manner. Then Bob kicked
out his last nugget of the eve when he played Nettie Moore for the 1st
time; this song has become my favorite of the album and due to its
structure, is one that I predict will be seen in set lists (possibly sporadically)
for years to come. This was a beautiful performance of a great song (give
it a chance if you haven't yet)! A jamming Summer Days got the house
on its feet which segued into a fine Thunder which is greatly placed in
its current lead off encore slot. The show concluded w/ LARS into Watch,
a combo I desperately wish he would at least vary a bit, but as we all
know, Bob does what bob wants.
Review by Adeline Sweet
Ode To A Show
Kings Of Leon
Rock n Roll plain and simple. This band is Very cool (plus they’re
adorable too). Respect them and guitar picks may be thrown at your feet.
Okay, after they left the stage, I’m thinking, a short wait for Bob Dylan
and His Band… It’s hard to write this (somebody's got to tell the tale, I
guess it must be up to me.) Just before the intermission, a
straight-looking couple, read Mrs. and Mrs. Jones, had confidently claimed
the two front row center seats. I’m not sure why, but I felt that
something was out of place and as this feeling grew, as I realized that
something was indeed wrong. Suddenly a group of concerned faces and
murmurings formed in the front row and some security guards looked wearily
towards the floor. Evidently, Mrs. Jones had abruptly totally hurled her
lunch all over front row center. It must’ve been pretty bad up there
because a super human crew began arriving in shifts, using (I kid you not)
two buckets to contain the spill. Being a fan sensitive to these signs, as
the odor wafted towards me, I began to wonder if this was a bad show omen…
not so.
I will start at the finish…
After the encore, when Bob and his Band left the stage, a guy in the front
row yelled out really loud “he’s at the top of his game”!!! That guy was
right, and I have waited for his review but alas, here’s mine instead. Bob
is at the top of his game, in fact, his keyboards, harmonica and vocals
were great all night long and right from the start there were lots of
smiles amongst band members. The music was truly great, and I mean great,
in the sense of those things that you can’t really talk about with mere
words without missing the mark, you know what I mean, the beyond
description thing, the ineffable thing, and then into the realm of pure
energy… Both new guitar players Stu Kimball and Denny Freeman were rockin
and jammed, and Herron, who plays fiddle, pedal steel, & mandolin, is
great too. Tony Garnier on the base was at his splendid best, and (as
always) and George Ricile on drums was bringing home the groceries. First
of all, starting out with Maggie’s Farm, played in a way I never imagined
it could be played, was surprisingly like being blindsided with all the
best things the universe has to offer, all at once. Then, just Like Tom
Thumb Blues going right into When the Deal Goes Down, followed by Tangled
Up In Blue and To Ramona (this is a dream right?) By that time, the band
was getting so tight, I started to lose touch with reality altogether.
Then they blasted off into Rollin’ and Tumblin’ Ahhhhhhhhhh… (methinks I
left my body for at this point). Next, they ripped out some back pages and
delivered The Ballad of Hollis Brown and Highway 61 Revisited; a back and
forth between heavy reality and surreality causing my leopardskin pillbox
hat to become unglued and I had to sit down, which helped taking in Nettie
Moore, also played unbelievably and way beyond expectation or description
… It’s Alright Ma… I’m losing track… oh yeah, yeah, the encore… (If you
want them to come back, I’ve found that feet stomping helps)… encore was
Thunder On The Mountain? (cut me a break) … Like a Rolling Stone and All
Along The Watchtower were also performed at their very best. So, they just
keep getting better folks, and all I can say is that it would be a shame
to miss the chance to go and see them if you can, and remember its okay to
stand up and dance (I think Bob likes it). Seeing this show is the most
fun I’ve ever had, so thanks for allowing me to say something nice about
Bob and his Band because they’re simply the best there is. Love Minus
Zero No Limit. Peace
Adeline Sweet
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