July 24, 2017
Review by Jim Howard
I recently taught a Bob Dylan course to a group of local retirees, and Bob
conveniently scheduled a concert in our small city a month later. A number
of the class members decided to attend the concert, so I felt some
trepidation that they might be disappointed. I am pleased to report this
was not the case with my group reporting that their expectations were met
or exceeded. Bob himself cooperated by giving a very good performance.
His voice was strong and his enunciation was clear. Somewhat to my
surprise, the near-capacity Kelowna audience responded warmly to his set,
even the “Sinatra songs.” I did not detect any mass departures during
the course of the show, and many clustered around the stage during the
encore, rather than fleeing to the parking lot. This was my first
experience of Bob performing the “Sinatra” material live, and I was
impressed by how well he sang the likes of “Stormy Weather,” “Why
Try to Change Me Now,” “Autumn Leaves” etc. (I last saw Bob in
Seattle just before he began including these oldies into his set.) Bob
followed the now fixed set list to the letter. One observation I made was
that the 20-song show seemed shorter than previous Dylan concerts I have
attended. I guess this is because of the brevity of the “Sinatra”
classics and the truncated versions of his own longer songs like
“Tangled Up in Blue” and “Desolation Row.” My only regret is that
he did not abbreviate a couple of his songs from “Tempest” in
particular “Pay in Blood” and “Early Roman Kings” which I found a
bit tedious after a while. Highlights for me were “Don’t Think
Twice” which stayed relatively close to the original and was clearly
enunciated, a forceful “Highway 61,” “Duquesne Whistle” which
gathered steam and evolved into a rollicking boogie, and “Summer Days”
which similarly gained momentum as it progressed. I was impressed with
Bob’s intent piano playing that stood out clearly in the mix. I also
really enjoyed several of the “Sinatra” tunes especially “Why Try to
Change Me Now,” “Stormy Weather,” and “Autumn Leaves,” although
his awkward manipulation of the microphone during these numbers was more
amusing than sexy! We noticed that Bob no longer stands in front of the
band when he leaves his piano to croon; instead he embeds himself among
his fellow performers. Bob’s band as usual was disciplined and effective
easily adapting to the various musical styles Dylan likes to explore. At
least one of my class members thought she saw a bit of a smile on Bob’s
face during the usual post-encore line-up of the performers. This wasn’t
confirmed by the others though Bob did make several (what I call
Pope-style) hand gestures towards the audience. I think he was pleased
with his reception in Kelowna!
Jim Howard
Peachland, BC
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