Review by Lothar Knatz
Logrono, in the middle of the Rioja vineyards, makes its debut
on the Dylan map. The town of 150.000 situated on the banks of
the Ebro has a nice historic district. The Dylan venue, Palacio
de los Deportes, is an unembellished multipurpose hall. The
maximum capacity of 1.700 is not completed, the crowd of
little more than 1.200 are mostly locals, not many of the
international Dylan followers on the simple blue plastic seats.
I had business in Santander and came over to see Dylan again
after the Magdeburg concert in 2022.
They entered the stage on time (21.30) with Watching the River
Flow, minor problems with the sound were corrected quickly.
Voice and sound were cristal clear then. The new drummer on
the left side, Bob Britt in front next to Dylan, Tony behind
the piano, and Donnie Herron and Dough Lancio close together
on the right. In Magdeburg Dylan hides behind the piano during
the whole show, this time you could watch the man at work.
"When I Go Mine" seems to come even more late after "When You
Go Your Way". His voice got sharp in the end of the verses of
"False Prophet", and he arose from his music stool especially
when he wanted more voice expression.
"When I Paint My Masterpiece" has a piano intro now, and when
the soft rhythm section starts with Donnies violin floating
above, the crowd started clapping. My first personal highlight
was "My Own Version Of You", a song I didn't like too much in
the past. The new arrangement starts with a guitar riff and
the whole song got more dynamic. The fallen bass line is
replaced by a dialogue between piano and guitar. And Britt is
a creative and tastefull player! In general Dylans music now
seems to be even more stripped down to the bone, got a strong
base of Rhythm & Blues. And he let Bob Britt play solo, in
duet with his own piano work. The whole concept sounds tight
and strong. and the unorthodox drum style of Jerry Pentecost
adds an archaic touch.
"I'll Be Your Baby Tonight" starts with a very tender slow
piano intro, with passionate singing, and after the long
intro the sharp guitar riff leds the song into a powerfull
nightmare. "To Be Alone With You" follows a similiar concept,
but doesn't finish in a violent inferno, it is more
rhythmically developed. "I crossed The Rubicon" sounds
perfectly in the blues scheme, and Britt and Dylan again
moved the song forward in their dialogue. "Key West" comes
along like a jazzy improvisation and they take this mood into
a longer intro of "Gotta Serve Somebody", before the rhythm
train accelerates. But it does not become a smooth train
ride, its more rough and rowdy ways.
"I've Made Up My Mind" is for me still one of the more
unimportant points in the concert although the arrangement
has improved. I had hoped for "Not Fade Away" or "Truckin'",
but we got "Tweedle Dee & Tweedle Dum". The boys obviously
enjoyed it and make it a rough Rhythm & Blues ride, fully
satisfactory. The finale starts with "Mother of Muses",
Dylans prayer to the goddess of arts and inspiration, peace
and wisdom. The rythm and blues patterns of "Good Bye Jimmy
Read" are soon converted into a more free improvisation. And
ultimately "Grain of Sand", another kind of prayer and hymn.
At the end we got a wonderfull strong harmonica outro. The
Band comes in front of the stage for the final applause,
Dylan moving slow amd carefull. The crowd spend a long and
warm applause.
The concert was very tight, like a monolithic block. And I
hear Dylan say one sentence I heard from him never before.
Somewhere in the middle between songs he said:"I love you".
Believe it or not! I did not count my Dylan concerts. Last
year I thought it would have been the last time, Logrono
was an unexpected extra benefit. No doubt, one to remember.
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