Reviews San Sebastian, Spain Auditorio Kursaal June 20, 2023 |
Review by Todd Kennedy
The second show in Donosti was a bit more subdued than the first, though
that feeling may have been augmented by the fact I was sitting up above
rather than down below as I had been the first night. The people around
me seemed mostly befuddled by the current style and set list, and I was
too far away from down below to know if they were as "into" it as the
first night.
I *am* confident however that there were fewer standing ovations (only
1 partial and then 1 real one at the end), Dylan returned to his normal
level of talkativeness (only 1 or 2 thank yous), and there was a lot less
applause after a lot of songs.
"Paint My Masterpiece" was again a knockout performance. "Mother of
Muses" which had been the showstopper the night before was weaker
this time by a good bit. "Gotta Serve Somebody" got the biggest reaction
of the night.
The crowd also trended noticeably older this night than it did the first
night. Packed full up above, but a good bit of the down below seats
empty. 260 euros is a lot of money, even in relatively wealthy
Donostia-San Sebastián.
The sound adjusted after the first song (as usual) and was the clearest
I've heard Dylan in years (Maybe a product of sitting up above?) but I
would have liked the overall sound to be louder.
Dylan's voice was in top form until just before "Mother of Muses" when it
completely broke and never really returned. I typically avoid seeing him
on the second of back to back nights, but I'd hoped the canceling in
Huesca would have him extra rested. Seems like that was true for most
of the night, until it wasn't. Besides, I don't have it in me to turn up a
chance to see Dylan when he's a 3-5 minute walk from my house, not to
mention this was the first time my 11 year old ever got to see him.
A bit disappointed we got "Old Black Magic" again rather than "Not Fade
Away" or "Into the Mystic" but, on the whole, a really good set.
The performance on some songs was a bit better than the night before,
but the energy wasn't. Also augmented by the fact the up above seats
in Kursaal are really far back. The place is designed for sound, not sight,
and that's mostly a good thing, but it causes a feeling of disassociation
with an act like Dylan.
Hope Bob enjoyed his time in Euskadi. He's back to Spain tomorrow to
play a show in Logrono, then on to Barcelona.
--
Todd Kennedy, Ph.D.
Associate Professor of English and Film
Advisor and Coordinator, Concentration in Film Studies
Chair, Fletcher Lecture Committee
Department of English, Modern Languages, & Cultural Studies
Nicholls State University, Thibodaux LA
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