= Bob Dylan - Bob Links - Asheville, North Carolina - Reviews - 04/19/26


Reviews
Asheville, North Carolina
Harrah's Cherokee Center
Thomas Wolfe Auditorium

April 19, 2026

[William R.], [Richard Genz]

Review by William R.


Last night Bob Dylan came to my neighborhood, as he has tended to do
biannually for some time. The song by song reviews have been done, so I
would like to try to say a bit about my overall reaction. 

He sang songs like no one ever wrote in a delivery like no one ever
imagined. That's not news, of course. His band sounded like no other
band ever sounded. That point is crucial, as Bob has often had the best
band on the road. This one is no exception. Anton Fig has made a huge
difference, the use of acoustic guitars is doing something magical, and
it's all beyond my ability to describe. You just have to hear it. The
stage looked like nothing I ever saw with eight incandescent lights making
the musicians visible only in shadows. Bob himself was almost completely
hidden under his raincoat. And as usual, you could understand every word
he sang . . . if you already had every song memorized. You could argue
that no other significant popular artist has ever dared to be so demanding
in both how much is expected of the listener and how little is compromised
from the artist's exact vision of what he wants to offer. But if it was
a gamble, it paid, because the house was full, and everyone was
responsive. 

I have been watching the guy for 52 years now and have been fortunate to
see every American tour in that time. Somehow, I had gotten the impression
that with few setlist changes and almost the same band, I could have
retired after the last Asheville show. I'm sure glad I did not make that
mistake. I've always held to the policy that when Bob comes to town, you
go, and I'm thankful I held to the rule. I have on several occasions
left shows and said, that was the best. Now in my advanced years, I am
cautious about doing that, and I do in fact hold on to a very high regard
for shows from what I call the Millennial years, basically, 1998 to 2002.
But I am willing to say that what I heard last night could possibly be
called, as good as the best. I don't mind if someone disagrees, but I
bring this forward mainly as a cautionary note that if you are serious
about these things, you might not want to skip it.

[TOP]

Review by Richard Genz


Bob’s performance thoroughly refreshed the Rough & Rowdy Ways set, which
had gotten stale for me after seeing the show several times since COVID
days.

Anton Fig startled the full-house crowd to attention with some garage-band
drumming.The band walked on one at a time, and then came the main man,
white-hooded and spectral.

Crowd was enthusiastic, with hoots and whistles and a cry of “Bob
Dylan!” during high-energy moments (frequent). As usual, all kinds of
folks, maybe somewhat on the younger side.

On Man in The Long Black Coat we got a fresh line: “I went down to the
river/but I just missed the boat.” Great setup for Crossing the Rubicon
later on, which was supercharged by drumbeat in its final verses.

Goodbye Jimmy Reed was amped-up to good effect. At the end, instead of the
“noose,” “he just got tired.”

For I Can Tell, I had binoculars trained on Bob as he threw himself into
the line “No-no-no- noooo more,” drawing a big road from the audience.

“Tell me something I might understand” -- I’ve Made Up My Mind to
Give Myself to You was beautifully reworked. The vocal was tender and
intimate.

Every Grain of Sand unfortunately lost a crucial line, “I am hanging in
the balance.” The forceful harp solo, the only one of the night, sounded
almost defiant.

Dylan then hobbled to center stage, applauded the audience a bit, and
briefly placed his right hand on his heart.

Asheville’s faithful begged for more, and responded hopefully to
roadies’ shadowy appearance on the stage, but that was it for the
evening.

One of the most engaging shows ever, this one lifted audience, musicians,
and artist into a warm and elevated space.

[TOP]

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