November 4, 2010
Review by Greg Wallace
Value City Arena was half curtained off for the 2010 Dylan show which
was a change from his recent appearances in 2004 and 2007. Oddly
enough, the 2004 show was exactly six years prior to the day, and
another Thursday in another election week! I thought the crowd seemed
small, gray-headed, and polite. I was probably 20 rows back on the
floor in the middle in an aisle seat, and stood for most of the show.
The show started promptly at the announced time with Rainy Day Women and
with Dylan leaning into his keyboard sounding very lively, clipping the
punch lines in a very wry cadence to my ears. Alas, toward the end of
the song his voice abruptly lost the upper range and dropped into the
croak.
Next tune was a lovely intro that began with Stu Kimball strumming
acoustic guitar and saw Dylan stepping up to the mike with a guitar and
surprising us with "if you're going to the North Country Fair." Dylan
played some mathematical guitar and croaked unmelodically through the
number. Too bad, it was the one new song in our set.
There followed a "Stuck inside of Mobile" with another lovely intro from
the band, with Kimball still on acoustic and Dylan still playing
guitar. On this one the verses were croaked but well enunciated, the
"Oh Mama" barked, and the "to be stuck" chorus punch line sung in full
throat like Dylan had gone back 30 years.
Then "Love Sick", dramatic as usual but broken up by some new discord
(from Herron on pedal steel perhaps), and played often enough in
Columbus that I went to the beer stand, certain that this version
wouldn't top the one he played last time.
"Summer Days" followed and my heart sank a bit when I heard the opening
chords. However I will admit that Dylan sang it very well and rather
enthusiastically and the crowd seemed to enjoy it as well. I kind of
expected Charlie Sexton to cut loose on his hollow body but he never
really did. I'm reasonably certain that Tony Garnier played something
approaching a solo on his string bass, though.
I was a few seconds picking out the chords to the "Tangled up in Blue"
intro, which featured Dylan guitarless at the front mike and made me
think of the 1978 arrangement when I first saw him. He wasn't singing
it especially well, and got from the avenue to Montague Street without
boarding the fishing boat or getting his shoelaces tied. His harmonic
breaks were delicious and clearly well planned, though. I think it
will be a showstopper by the time he gets to Terminal 5. This also
featured stretched images of Dylan's profile up on the big gray curtain
behind the band, a nice visual touch that seemed subtler than the
typical huge rock concert screens.
Then came "Tweedle", another Columbus perennial, in which the band
seemed a bit indecisive (except for the drummer) but the singer very
animated and delivering the very naughty lyric with obvious relish. It
occurred to me that perhaps this was Dylan's current "political" song
offering.
Next he sang a transcendent "Tryin' to get to heaven", beautifully
accompanied, standing at the keyboard and playing some harmonica late in
the song. This was a repeater from the 2004 show but worlds better.
Then "High Water", yet another Columbus perennial, time for another
beer. The banjo was prominent again and Dylan seemed to croak his way
through the song.
And then a big treat, "Hard Rain", kind of croaky with no real chorus,
but building and building up to the "what'll you do now" verse, which
Dylan absolutely nailed. I don't think he missed a word throughout and
he sounded like he was coming back to protest by the end of it. I think
the entire crowd was buzzing at this point.
So onto the next Columbus perennial, "Highway 61", which started out
with a well sung first verse, followed by a chopped up next several
verses sung in cadences that made them nearly incomprehensible. The
punch line to the "World War 3" verse was omitted altogether.
The intro to "Not Dark Yet" nearly took my breath away (to my surprise)
and Dylan didn't disappoint me, standing at the mike in his marching
band pants and white hat and caressing that very gloomy lyric almost to
the end. A triumph!
From here it was downhill except for the crowd pleasing "Ballad of a
Thin Man", which has become a very sure thing with its Halloween
lighting and dramatic delivery. All in all I was happy, having heard
and witnessed several memorable performances.
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