July 7, 2007
Review by Paul McGarry
The afternoon started with a 3 hour drive to the north on a day weather
wise that was a good as it gets, with the windows down and my hair all
over the place we arrived at Casino Rama ready to play a few slots on this
7707 weekend. About halfway through the drive I realize I had forgot my
binoculars, and with our seats near the back, this show was going to be
different than most. Rama is situated just north of the city of Orillia,
among some God Country type lakes and scenery. 7 was not our lucky number
this day.....I will just leave it at that.
Dylan promptly hits the stage at the unusual starting time of 9, and
opens with a tasty "Cats In The Well" as I am listening to this song, I am
hearing a much more powerful version than the one I heard when he opened
with it in Toronto/06. My next clue was on song number 3,"Watching The
River Flow" There was more punch to this song than previous outings I had
heard. I had to have a closer look, I checked out my neighbours for some
binoc's, and there was a kind soul behind me that let me focus in on the
stage.......just what I suspected, Denny Freeman was toting a Gibson Les
Paul!!! On the other occasions I have seen Denny, he played his sleek
sounding Fender Strat, with a great rootsy tone to it. But last night, he
had “Thunder” in his hands and his leads filled the Entertainment Center
with that of a confident Gunslinger. His sound dominated (in a good way)
the evening, Stu just seems to have taken his place at the back of the
classroom and is content, although something seemed to be amiss during
“Highway 61” when Stu took his hand off the fret board a number of times
and just looked lost. Freeman had some good plucks on “When The Deal Goes
Down”. New arrangements for “Just Like A Women” and “Tangled” kept them
fresh, but not necessarily better.
Bob amazes me with his insistence on playing keyboards with that
”Carnival Is In Town Tone”, it takes away from Denny’s new found
toughness. I have my beefs about “Summer Days” but let me tell you, If I
could still do the jitterbug, I’d been high tailing it to the stage.
Watchtower surprisingly ended the regular set, and after a lengthy
wait, the boys were back with a ripping “Thunder On The Mountain” courtesy
of Denny, and a countrified “Blowin In The Wind” Even though it was
basically a generic set list, I really enjoyed the show. Since I did not
have my binoculars, I really concentrated on the sound, and Casino Rama
just has a superb sound system, and I would recommend this venue as a
great place to hear a show….just be careful of the Casino next door.
Review by Wilson
ast night's show at the casino was in a word: brilliant. of course not a
ticket was to be found anywhere. when you scanned the crowd you could see
the distinctive groups of dylan fans as opposed to casino goers all mixing
together for a great show. the casino goers were the ones there to say
they saw bob, sit for a few songs and then head back to the tables.
while on one hand the show began with no surprises, the similar set lists
showing up over and over again, the expected tunes in the expected places,
there was a great mix of new and old and the music was on, the vocals were
on and the band was great.
the opening of cat's in the well foretold of a great show to come. the
performances of watching the river flow, spirit on the water, rollin and
tumblin and it's all right ma (to name a few) were filled with intensity
and power. the standards of highway 61 and all along the watchtower also
contained hints of newness in regularly performed tunes.
when he began "summer days", i knew we were winding down, and that's when
many in the crowd began the dancing that didn't stop until the end. it
was a great performance of what's become a regular show feature and the
fantastic changes he brought to "thunder on the mountain" was a perfect
demonstration of why you never go to a bob dylan concert thinking it will
be the same as any other you've ever seen before. the constant reworking
and changing, sometimes mid song is a perfect example of a man who loves
what he does, who lets the music talk to him freshly every time he does it
and who you want to make sure you see before it's too late.
the subtle changes to the songs when he switched from guitar to keyboard
were fantastic. it was the little nuances that really stood out,
especially on songs like "just like a woman". i've always enjoyed the
changes bob brings to songs on stage and i was surprised to find that the
first half of the show had much less change than i would have expected.
the keyboard half was full of change.
while there was the usual lack of interaction and just the familiar "thank
you friends, let me introduce my band" from bob, you go to a dylan concert
for the music and performance, not the patter.
while i started trying to keep track of the songs, i got lost in the show
and the music instead of the list.
wilson
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