July 4, 2007
Review by Howard Teller
I was looking forward to last night’s concert and considering how
fortunate we were to have Bob Dylan visit us again so soon after his
November 2006 show at the Bell Centre (12,000 capacity). Last night’s
performance was at the main concert hall at Place des Arts, a smaller
concert venue (3,000 capacity) as part of the Le Festival International de
Jazz de Montreal. The previous night Van Morrison performed on the same
stage. Ticket prices were high priced and being such perhaps prevented
some new younger fans from attending the show and appreciating the music.
The summer of love was forty years ago and here was Bob Dylan still
touring and performing his songs and music as relevant today as 1967. It
was great to see Bob Dylan playing guitar again on the first four tunes of
this concert before switching back to the keyboards. The sound was concert
hall clear and his band was grooved. A highlight for me was “Shelter From
the Storm” with Dylan playing a beautiful sounding harp and “Chimes Of
Freedom” perhaps in consideration of July 4th.
Howard Teller
Review by Howard Weiner
I awoke in a hotel room in Montreal at 5:30 AM. I couldn’t get back
to sleep, I felt like sucking the milk out of a 1000 cows. I thought
about packing my bags and making my way to the nearest Greyhound
station for a bus to Ottawa. Unfortunately, I’ve paid for two more
nights at this hotel and have tickets to see quality acts here at
the Jazz Fest. Well if July 4th in Montreal had to be my last
rendezvous with the Cowboy Band this summer, what an unforgettable
parting of ways.
I made my way into the incredible venue named Salle
Wilfrid-Pelletier. I had seen a strong performance by Van Morrison
here the night before. If you’re a performer looking out from the
stage the place looks like a space ship. Once again, I was in the
thick of the action in my fourth row seat. Starting from my right I
was staring down Stu, Oscar, Donnie and Bob, and to my left was
George, Tony and Denny. Dylan was wearing his standard black suit,
but had traded his grey top hat for a black one with a red feather.
Rainy Day Women #12 & 35 was a welcomed opener. The crowd immediately
sat down after greeting Dylan. I wanted to shuffle around a bit, but
this seemed to cause a big controversy. Three security guards had a
conference call and finally decided it was ok if I wanted to shake
and bake. I decided just to sit in my chair and rock back and forth
like a madmen, I didn’t want anymore conference calls.
Don’t Think Twice sounded better than ever, thanks to the pristine
acoustics of this venue. It was intense; Dylan’s music reverberated
all over the place. I’ll Be Your Baby Tonight was as powerful and
rocking as I’ve ever heard it. As usual, It’s Alright Ma took it’s
place in the fourth spot, but wow! Dylan smoked our minds with that
one. In one year this song has gone from sluggish to getting the
royal treatment it deserves.
Bob made his way over to his keys to pluck out some ring tones. From
behind his control center he leads the band and really expresses
himself. When the Deal Goes Down was amazing, the words came
blasting out of Bob in an abrasive style that was still reflective
and sentimental. I can’t imagine this venue has ever witnessed
anything as authoritative as the ensuing Rollin’ and Tumblin’. Bob
has really made this song his own. These Modern Times songs continue
to grow on me – I’m coming to the realization that this is my fifth
favorite Dylan album.
I’m typing on my laptop and laughing out loud when I think back to
how good that Shelter From the Storm was last night. Bob’s vocal
presentation sticks out as he pushes forward a sweet melody from his
command center. He’s found a new way to make this song resonate and
the band carefully adds their brush strokes. Denny plays a well
constructed lead and Dylan comes back singing with even more
passion. Then they rinse and repeat. By the time the last verse was
finished everybody in the place was in awe. Dylan stamped this
version as a masterpiece by grabbing his harp for the first time and
floating out a poignant double tiered solo. Enter High Water (For
Charley Patton). Forget the beaches, picnics, barbeques, and
fireworks, a real July 4yh celebration was brewing. Donnie was
picking the old banjo while Dylan had us scrambling away from the
raging Mississippi River. Dylan has recaptured the greatness of that
song on this tour with these powerfully concise presentations.
Spirit on the Water gave me an opportunity for a pit stop and an
ice cold Molson Dry refill, and I made it back for the last two or
three minutes which were enjoyable. Tangled Up in Blue started
awkwardly – Bob wasn’t happy with the tempo. The band and Dylan got
locked in tight about half way through and the ending was magic. I
tried watching Denny as he was tearing up an impressive solo, but
couldn’t take my eyes off Dylan. He looked like he was
side-saddling the golden calf while bobbing for apples.
In full Independence Day mode, Bob led his mates into Chimes of
Freedom. I was pumped; I haven’t seen that in about 20 shows.
Dylan’s singing was so attentive and vibrant – not only are his
songs timeless, but apparently so is the man. Freeman really cooked
a head turning solo and then the band tried ending the song. Their
bad! Dylan kept playing through the mistake ending and delivered
the last verse. It was July 4th, he was determined to finish the
song in style. After that highlight, the band exploded on a
roughhouse journey down Highway 61. It was a red white and blue
kind of night and the Cowboy Band song was looming.
I love every single line of Nettie Moore. You haven’t lived until
you’ve seen Dylan perform this live. No other song captures the
magic of Dylan’s late-career renaissance better. As magnificent as
this is on Modern Times, Dylan breathes something extra into it
live. And the musical arrangement is fuller; Donnie’s violin playing
is sublime. After that religious production I was out of my seat and
flying around like a Russian Cossack dancer for Summer Days which
contains Fitzgerald/ Dylan philosophy 101: “You can't repeat the
past." I say, "You can't? What do you mean, you can't? Of Course you
can!”
Then came the decisive moment, was I going to see my sixth
consecutive Blowin’ in the Wind or the greatest song ever. Recile
slammed down the beat as 1000 delirious French speaking Canadians
rouse to there feet for Like a Rolling Stone. What a brilliant
ending to my last show of the tour. I realize ever once in a while
Dylan’s has to give Rolling Stone a break, but it’s a superior to
Blowin’ in the Wind.
I stood there hooting, hollering and clapping for the full five
minutes until the Cowboy Band remerged. Tony (Dylan fan sitting
next to me) mentioned that the Dylan logo banner got stuck halfway
when it was lowered during the encore the prior night. As Thunder
on the Mountain triumphantly began, Dylan kept a watchful eye on
the banner which came down unfettered, and it was off to the races.
I can truly say that this Thunder on the Mountain obliterated any
previous version. From my perspective, the band was in awe of each
other. Denny rocked as hard as I’ve ever heard him. Garnier
chuckled and did a double take as if to say, who is that madman?
Dylan introduced each member of the band by adding what city from
the good old U.S.A. they’re from. Hibbing in the house!
As Bob played Watchtower for the 2783rd time, some new magic came
out of nowhere. During the second verse, he sang this with some real
ingenuity. The pacing, inflection and cadence was like nothing I’d
ever heard before. Donnie Herron had a joyful stunned expression on
his face. I don’t know how does it either Donnie, that’s why I keep
coming back.
Howard Weiner
Visionsofdylan.com
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