June 16, 2010
Review by Francesco Ciuffi
Well well well, i stopped goingto his bobness shows back in 2005, after a
terrible bologna show. Not that some of the previous shows were
memorable...after 20 years of shows (first one in milan in 84) i was pretty
disillusioned about the man. yeasterday evening, being viareggio just 20 km far
from where i live, Ibroke the prosmise and i decided to give the man another
try. I must admit that i went to to viareggio without great expectations but the
fears i had before the show were completely blown away by an extremely solid
performance. He was clarly focused since the very firt note. He also tried a bit
guitar soloing during senor and the show was consistent all the way through. It
was clear that he was having a good time, senor, menphis blues, high water and
the man in the long black coat were abosolute highlights but the version of not
dark yet was really a treat. even the more rollinkickin numbers were palyed
pretty well, with a sort of sun/chess records vibe. Of course, as usual with the
man, there were some pretty embarassing moments. Desolation row was really what
the title prosmise, and LARS and blowin were ragged and never reached a
momentum, they were just meandering without any idea where to go. It was like
tha the little magic we witnessed before was blown away by the little
intermission before the encores. Was this my best show? Naa, far form it, but
after 5 years i was glad i gave him another chance, if he keeps going this way
going to a show still make sense.
Francesco Ciuffi
Review by Marina Montesano
My first Dylan show of the year is set in a not too nice Cittadella del Carnevale that looks
weirdly like a penitentiary courtyard. At the gates security proves unaware of how to deal
with a few dozens people who have camped since the morning or the early afternoon in
order to get the better placements when inside, so they make a total mess. Anyway, we
manage to get in safely around 7pm: there are chairs inside, but the first rows will get
standing in front of the stage when the show starts, 9.30 sharp. Rainy Day is a fine
opening, but the show really begins to grow with a nicely done Seņor: big cheers from
the crowd. Bob's on guitar for the first three songs, his voice is strong for most part of
the show, the Band is tight. I do not think Charlie Sexton is the best of guitar players
(just very good), but he adds some movement and fire to the performance. Highlights
for me are a newly arranged Shelter From The Storm and a spooky Man In The Long
Black Coat, with Bob on guitar again. Then Not Dark Yet with him center stage with
harp only, as he does on the fantastic Ballad Of A Thin Man, which is now a piece of
theatre more than just another song. The fast numbers are often explosives (Highway!)
and Just Like A Woman closes with a memorable harp solo. Encores are so-so, less fire
from the Band, or maybe I do not like Blowin' that much. Both Bob and the Band are
smiling and relaxed all the way through the gig, as I know is common these days.
Will check again in France and let you know.
Marina
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