February 27, 2008
Review by Oscar Montes
It was harder to get to the Auditorio Nacional this time, the traffic was
really heavy, it took me 2 and half hours to make it from the place I
work, I get to the forum 1 hour before the show and there were several
fans I had seen the night before what is usual in Bob’s shows. The night
was colder that the one of the first show. The stage was the same and
Dylan and his Band appeared at about 8:35 PM with Leopard-Skin Pill-Box
Hat which was well received by the audience then continue with Lay Lady
Lay which was really good and one of the better-known tunes by the Mexican
fans, I’ll be your baby tonight was sweet and nice and closed his
electrical set. Then Bob went to the keyboard to play a song from the 3
grammy winner Time out of Mind Love Sick which was really good and you can
tell Dylan enjoyed performing it, then 2 songs from Modern Times the rocky
Rollin’ and Tumblin’ and Spirit on the water with Bob on harp, then it
came one of the highlights of the night Boots of Spanish leather,
wonderful and sweet, Bob was on harp too in this tune. Highwater was the
following, really rocking as well, then When the deal goes down which was
nice and next Honest with me, really good performed. The next song was
also a highlight My Back Pages, precious song where Dylan enjoyed playing
the harp too. Highway 61 was as the night before really loud and with a
lot of energy, excellent. Two more songs from Modern Times Ain’t
talkin’ which sounded kind of mysterious and one song that Bobby really
enjoys playing Summer Days, pure Rock n’ Roll. Like a Rolling Stone was
the next song, everybody stood up and remained like this until the end of
the show, everybody was singing How does it feeeeeel, To be on your own,
With no direction home…. The encore was the same as the one of the night
before Thunder on the mountain and Blowin’ in the wind, in this last one
Dylan played the harp too. The lights went out and the people in the
Auditorio were really happy for this wonderful show. Next stop is
Monterrey, Mexico we hope he sings munch more different songs and
great surprises such as Boots of Spanish and My back pages.
Oscar Montes
Review by Howard Weiner
Love was in the air as Dylan charmed us with a sly “Leopard
Skin Pillbox Hat.” “You think he loves you for your money, but
I really know what he loves you for.” Lay Lady Lay was an
appropriate follow up as Dylan twisted some lines: “His feet
are dirty, but his hinds are clean.” That was ironic to me
because I spotted rhythm guitarist Stu Kimball receiving a
shoeshine during the day on the Pasa De Reforma next to the
Sheraton Hotel. Nice work by the band as they provided
Nashville like leads and developed a funky riff towards the
end. A snappy, “I’ll Be Your Baby Tonight,” wrapped up the
stroll down lover’s lane. Love was what I needed, because
prior to the show I was in the Manhattan Deli enjoying some
potent margaritas. Across the street, rebels and
revolutionaries were waving red flags and making noise. Their
leader was on top of a van with a megaphone; he had a black
scarf on his face and was barking out angry words in Spanish.
To my left was the American Embassy behind 25 foot fences with
15 policia in riot attire with shields. There was a fence
protecting me and my margarita, but I was relived when the
rebels marched south. I felt like Jack Fate on the movie set
Masked & Anonymous, but this was too real. Dylan moved to keys
and delivered his desired gem, “Love Sick,” with that most
bittersweet truth” I’m sick of love, I wish I never met you/
I’m sick of love, I’m trying to forget you.” The band
electrified the Auditorium with “Rolled and Tumbled.” It
always works live, Dylan is engaged and Denny peppered us with
multiple refreshing slide guitar blasts. I liked “Spirit on
the Water” in the sixth slot. I needed a rest room break and
fresh beer – “Spirit” was also the first repeated song from
the prior night. The band’s attire was also repetitive, except
for Donnie Herron who was flying hatless. “Boots,” “High
Water,” “Deal,” “Honest With Me” was a sold, yet unspectacular
segment. The Auditorio Nacional might have been half filled.
Even though those there were enthusiastic, I felt like I was
at a weekday afternoon matinee. I moved to an empty seating
area to shuffle around without disturbing most of the concert
goers who were glued to their seats. “M y Back Pages was a
great surprise – I can’t recall the last time I had seen it.
An always thrilling yet routine “Highway 61” followed. Dylan
was in fine form all night, but this night lacked the X factor
of the opening night. “Ain’t Talkin” spearheaded a dynamic
show stopping conclusion to the night. After soaking this
masterpiece in I was content as royalty. The “Summer Days”
Like a Rolling Stone” conclusion was more powerful than the
night before. Everybody got out their seats and really got off
on LARS, Freeman knows how to tear that one up. Ditto “Thunder
On the Mountain,” which has become tour de force. The first
concert was legendary and mystical; this concert was well
executed and professional. My experience in Mexico City is
something I’ll never forget; these performances intensified
the experience, and many ways, put things in perspective.
Thank You Mexico City. Thank You Bob.
Howard Weiner
WWW.visionsofdylan.com
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