November 22, 2010
Review by Willy Gissen
Dylan Takes Off at Terminal Five
by Willy Gissen
My Dad and I have a running joke. He asks me how the Dylan concert was, and I
reply, "Best ever." And then we both laugh because that's what I always seem
to say.
Well, I'll try to avoid hyperbole about tonight's concert, but it's going to be hard.
Dylan was in rare form for opening night at Terminal 5 in New York City, the first
of a three-night stand.
There's something special about seeing Dylan in the city that just doesn't translate
to rural Connecticut or suburban New Jersey. The crowd is more electric and
knowledgeable, and more varied as well. I spent about 30 minutes talking to a
couple while waiting for the show to begin -- the wife was British and had previously
seen Dylan in England, and the husband last saw him with Joan Baez in 1963.
Needless to say, I tried to catch them up with what had happened in the interim.
This was the first time I had gone to Terminal 5, and it's an interesting venue. They
let you in before 7 PM, despite what the ticket says, so you can line up to enter
inside the Terminal structure. The line stretches around the roof deck, a partially-
covered open-air rooftop with views of the surrounding skyscrapers. The interior of
the Terminal only holds 3,000 people, but the best spot is general admission on the
floor as the balconies are somewhat distant.
Enough with the preliminaries. Now to the concert. Dylan started off with a rocking
version of "Gonna Change My Way of Thinking" from Slow Train Coming, his first
Christian album. He's been leading off with it the past three nights as well, and it's
an excellent selection. The song starts the concert off on the right foot and lets
the audience know the concert is about more than just listening to songs. And it
also rocks.
Dylan also played a long version of "Desolation Row," and even though some verses
always seem to get left out or repeated when he does this song, he carried it off
well, and the 15-minute song actually seemed to go on for that long. "Forgetful
Heart" was sung in an emotional, wistful manner and contrasted nicely with some of
the harder rock songs. "Highway 61" is always a standard, as is "Tangled Up in Blue,"
and the audience was treated to both tonight. "Ballad of a Thin Man," the final song
of the main set, conveyed the mystery so essential to Dylan, with black-and-white
lighting creating a somewhat eerie effect.
Dylan has become extremely versatile and demonstrated that all night, easily switching
from the keyboard to the harmonica to the lead guitar. His keyboard play continues to
improve, and he also added a nice new touch this tour with shadow images projecte
on the screen background behind the stage. The band was in rare form, too, and a
wide variety of instruments were used by them as well
Of course, Dylan's icon was displayed for the encore -- it is considered to be a
representation of the Trinity with the all-seeing eye of God in the middle, the crown
representing Jesus at the top and the dove representing the Holy Spirit symbolized
below.
Anyway, I can actually summarize the concert in two words, "Best ever."
Review by Trevor Townson
Start spreading the news,
People had been saying just how big a place New York city is but this did not
extend to my hotel room, opening the door of which I thought “OK, there is the
bed so where is the room”? Not a single bed or a double bed either but a kind
of in between size and orange and cream picture wall paper with matching
curtains and bed covering just added further to the claustrophobic ambience. The
small area in front of the door was the only place in the whole room that it was
possible for me to stand in head on. To walk anywhere else in the room it was
necessary to move crab like in a sideways fashion waving my arms out whilst
walking like some novice ballet dancer not yet accustomed to lengthy body
movements of this kind.
On one wall was a wardrobe the opening of which resulted in me falling backwards
onto the bed as there was not actually enough room for both the opened doors and
the person opening them. Through a door to the side was a small shower room in
which I could at least stand full on in front of the mirror. Seated on the
toilet however did not have the same comfort factor as I needed to sit with my
feet in the shower tray in order to fit on. In the ceiling is a huge fan which
when switched on makes a loud thumping sound similar to Rolf Harris playing his
didgeridoo and I could not help myself from drawing a picture in the mist on the
mirror after my shower whilst reciting “Cin yi till what it is yit”.
This is New York city so obviously there is far too much to do and fit in even
without three Bob Dylan general admission concerts to attend as well. No matter
best make a start so I step out of my Midtown hotel which whilst being very
small roomed was very conveniently located for more than enough locally sited
places of interest to visit during my short stay.
Just a few steps further up the street and I am on Broadway only 3.30 in the
afternoon and the place is already lit up bright as I find myself outside a shop
called COLONY which advertises itself as the worlds largest dealer in sheet
music, sheet music books actually as stepping inside I find it packed full with
book after book from all the Greats of music and the Monkees as well. Lots of
Bob stuff too including the Definitive Bob Dylan which I think is a strange
title, how do you get a Definitive Bob Dylan?
Just a short walk further on and I am in Times Square with everyone everywhere
taking pictures, well everyone except one and I just felt to be in the way. My
fifth trip to the USA and still I have not bought a camera so I suppose the
moment is now lost. Could have used my mobile phone I guess as I think that
there is a camera in that but I had left that in my hotel room.
A lot has been written about Bob that is probably half guessed or even untrue so
here is a bit more as I guess that the Bob Dylan list of his top three hates are
racism, cruelty in any form and cell phones.
Looking at so many illuminated buildings I just could not imagine where the
Christmas decorations would fit. In fact the New York Police Dept sign was more
impressive than the Christmas lights that we get in my home town. People are
photographing everything in sight even photographing people who are standing
photographing as I was standing staring at nothing in particular and lost in
thought then suddenly I see what is directly in front of me as instead of the
trees I see the plank, yes it is the Naked Cowboy strumming his guitar in just
his underpants and cowboy hat and boots. Damn it I think, I had been stood there
watching him for about 5 minutes without even noticing him so now there must be
about 10,000 photos in existence world wide showing me staring at the Naked
Cowboy!
There cannot be a venue more bleak looking on the outside than Terminal 5 which
has an unmarked exterior with a jet black canopy sited in a busy but closed in
back street with no views but adjacent and facing car dealerships who all
afternoon were busy moving cars into and out of the servicing bays across the
pavement between the people standing and sitting in line.
There was an early and phased entry for the first 250 or so people in line as
the doors opened for them at 6.00pm with everyone else being allowed in later at
7.00pm. I was among the early entry lot but it was a little bit frustrating as
will call only opened at the same time so for those people having got though bag
check they then had to go to the box office to collect their ticket as the
others with tickets in hand walked passed to form a second queue inside the
building.
No cinematic or musical background once we got onto the floor as we waited in
silence other than all the usual chatter for another hour until at about 8.00pm
in darkness band and Bob come onto the stage as the usual Ladies and Gentlemen
intro is spoken out.
Change My Way Of Thinking opener already had you thinking how can they top this
without opening with the same number every night. Just Like Tom Thumb Blues done
as good as it is surely possible to do by a totally animated Bob centre stage on
guitar and the band backing him 100%, Brilliant!
Not sure if it was due to the venue or set up but everything seemed to work
sound wise. Fantastic to both see and hear Donnie rejoining the band again sound
wise after being absent so many times previously to recent shows that I have
attended. Donnie also seemed more than usually animated again and working closly
with Bob.
Everyone in the band seemed to be enjoying themselves and putting heart and soul
into every number, a solid performance from the band was given in supporting Bob
tonight.
On posters it sometimes states “in show and concert” which had always
puzzled me into thinking which part is which? This night it was definitely the
Bob Dylan Show as song after song was not just sung but performed. Even Spirit
On The Water seemed different and probably the first time that I have truly
enjoyed it properly and not just for the surprise of some fantastic harmonica
that was included. A different arrangement to Summer Days made it much better
than any version I had previously heard live and really enjoyable.
Brilliant would not do justice to Forgetful Heart as was performed this night
which just could not have been more perfect. Should it be possible to do better
please do not bother to try Bob as there would be absolutely no need and there
would be no more pointless effort in striving for perfection than trying to
better that.
Thin Man again hauntingly done and not merely for the fact that looking at Bob
on stage I saw the face of the young Bob Dylan again and I thought of him in his
glory years. Then I thought you big idiot, these still are his glory years,
still packing them in and who else could give a performance like that, roll on
the next show.
Trevor Townson
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